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Mausoleum of Augustus: A Monument to Rome‘s First Emperor

Introduction

The Mausoleum of Augustus, a towering cylindrical structure in the heart of Rome, stands as a testament to the power, influence, and legacy of the first Roman emperor. Built-in 28 BC, the mausoleum served as the final resting place for Augustus and his imperial family, and its grandeur and symbolism reflect the transformative nature of his reign. Recently reopened to the public after an extensive 14-year restoration, the Mausoleum of Augustus offers visitors a unique glimpse into the world of ancient Rome and the life of its most influential leader.

Architectural Marvel

The Mausoleum of Augustus was a revolutionary structure for its time, showcasing the ingenuity and skill of Roman architects and engineers. The monument‘s core was constructed using concrete, a building material that the Romans had recently begun to master. The use of concrete allowed for the creation of a massive, freestanding circular structure, measuring approximately 90 meters in diameter and rising to an estimated height of 45 meters (Rehak, 2006).

The exterior of the mausoleum was originally faced with travertine marble, giving it a striking white appearance that would have gleamed in the sun. The entrance was flanked by two bronze plaques inscribed with the Res Gestae Divi Augusti, a first-person account of Augustus‘ life and accomplishments, ensuring that his legacy would be remembered by all who entered (Davies, 2000).

The mausoleum‘s circular shape was a deliberate choice, symbolizing eternity and the cyclical nature of life and death (von Hesberg, 2006). This design also served a practical purpose, as it allowed for the creation of a series of concentric rings within the structure, with the innermost ring housing the burial chambers of the imperial family.

Dimension Measurement
Diameter 90 meters
Height 45 meters
Burial Chambers 4

The interior of the mausoleum was adorned with frescoes, mosaics, and precious marbles, reflecting the wealth and power of the Roman Empire. The burial chambers themselves were lavishly decorated, with the central chamber, reserved for Augustus himself, likely featuring a statue of the emperor and elaborate wall paintings depicting his life and achievements (Favro, 2005).

Augustus: Founder of an Empire

To fully appreciate the significance of the Mausoleum of Augustus, it is essential to understand the life and legacy of the man it was built to honor. Born Gaius Octavius in 63 BC, Augustus was the great-nephew and adopted son of Julius Caesar. After Caesar‘s assassination in 44 BC, Octavius emerged as one of the key players in the power struggle that followed, ultimately defeating his rivals Mark Antony and Cleopatra at the Battle of Actium in 31 BC (Eck, 2007).

In the years that followed, Octavius, now known as Augustus, set about transforming Rome from a republic into an empire, with himself as its first emperor. He implemented a series of political, social, and economic reforms that laid the foundation for the Pax Romana, a period of relative peace and stability that would last for more than two centuries (Galinsky, 2005).

Under Augustus‘ reign, Rome experienced a cultural renaissance, with a flourishing of art, literature, and architecture. The emperor himself was a patron of the arts, commissioning works that celebrated Roman virtues and achievements, such as the Ara Pacis, an altar dedicated to peace (Zanker, 1990).

Augustus also worked to establish a dynasty, ensuring that power would pass smoothly to his chosen successors. He arranged marriages between members of his family and key allies, creating a complex web of political and familial connections that would shape the Roman Empire for generations to come (Severy, 2003).

Decline and Rediscovery

After the fall of the Western Roman Empire, the Mausoleum of Augustus fell into disrepair, suffering the ravages of time and the changing fortunes of the city around it. In the Middle Ages, the structure was fortified and used as a castle by the powerful Colonna family. Later, it served a variety of purposes, including a bullfighting arena, a concert hall, and even a circus (Lanciani, 1897).

In the early 20th century, Italian dictator Benito Mussolini ordered the demolition of the buildings surrounding the mausoleum, intending to restore it as a symbol of Italy‘s glorious past and his own fascist regime‘s connection to the Roman Empire. However, the restoration was never completed, and the mausoleum remained closed to the public for decades (Vidotto, 2006).

Period Use
Middle Ages Fortified castle (Colonna family)
Renaissance Bullfighting arena, concert hall
19th century Circus
20th century Mussolini‘s restoration attempt

It wasn‘t until 2007 that a comprehensive restoration effort began, led by the City of Rome and the Italian Ministry of Cultural Heritage. The project, which cost over €10 million and took 14 years to complete, involved a team of archaeologists, architects, engineers, and conservators working to stabilize the structure, restore its original appearance, and make it accessible to the public once more (Ministero della Cultura, 2021).

Archaeological Discoveries

During the restoration of the Mausoleum of Augustus, archaeologists made several significant discoveries that have shed new light on the monument‘s construction and use. One of the most exciting finds was the remains of the original marble flooring, which had been buried under centuries of dirt and debris. By carefully excavating and studying these fragments, researchers were able to gain a better understanding of the mausoleum‘s interior decoration and the techniques used by ancient Roman builders (Iacopi & Tedone, 2009).

Another major discovery was a series of underground tunnels and chambers that had been hidden for centuries. These spaces, which were likely used for funerary rituals or storage, provided new insights into the complex network of passages that existed beneath the mausoleum and the ways in which the ancient Romans honored their dead (Iacopi & Tedone, 2009).

Archaeologists also uncovered fragments of the frescoes that once adorned the walls of the mausoleum, offering tantalizing glimpses of the rich decoration that had been lost over time. By studying these fragments and comparing them to other examples of Roman art, researchers were able to reconstruct the original appearance of the mausoleum‘s interior and gain a deeper appreciation for the skill and creativity of ancient Roman artists (Iacopi & Tedone, 2009).

Visiting the Mausoleum Today

Today, visitors to the Mausoleum of Augustus can experience the grandeur of this ancient monument through a state-of-the-art multimedia exhibition that brings its history to life. Using projections, sound effects, and interactive displays, the exhibition immerses visitors in the world of ancient Rome, offering a unique perspective on the life and times of Augustus and his imperial family.

The mausoleum is open daily from 9:00 am to 7:00 pm, with the last entry at 5:30 pm. Tickets can be purchased online or at the ticket office, with prices starting at €10 for adults and €8 for concessions. Guided tours are available for an additional fee, and audio guides are included with the price of admission (Mausoleo di Augusto, 2021).

For those unable to visit in person, a virtual interactive tour is available on the mausoleum‘s official website. This immersive experience allows users to explore the monument‘s exterior and interior, learn about its history and significance, and discover the recent archaeological finds (Mausoleo di Augusto, 2021).

The mausoleum is fully accessible to visitors with disabilities, with ramps, elevators, and wheelchair-friendly paths throughout the site. In light of the COVID-19 pandemic, the monument has also implemented a range of safety measures, including mandatory mask-wearing, temperature checks, and limited visitor numbers to ensure social distancing (Mausoleo di Augusto, 2021).

Conclusion

The Mausoleum of Augustus stands as a powerful symbol of the enduring legacy of ancient Rome and the transformative impact of its first emperor. Through its innovative design, rich symbolism, and centuries-long history, the mausoleum offers a unique window into the world of the Roman Empire and the complex political, social, and cultural forces that shaped it.

The recent restoration of the Mausoleum of Augustus and its reopening to the public have provided new opportunities for scholars and visitors alike to engage with this remarkable monument and the insights it offers into our shared human history. As we continue to study and preserve this iconic structure, we not only deepen our understanding of the past but also gain a renewed appreciation for the enduring power of art, architecture, and human ingenuity to transcend time and connect us across the centuries.

References

Davies, P. (2000). Death and the Emperor: Roman Imperial Funerary Monuments from Augustus to Marcus Aurelius. Cambridge University Press.

Eck, W. (2007). The Age of Augustus. Blackwell Publishing.

Favro, D. (2005). Making Rome a World City. In K. Galinsky (Ed.), The Cambridge Companion to the Age of Augustus (pp. 234-263). Cambridge University Press.

Galinsky, K. (2005). The Cambridge Companion to the Age of Augustus. Cambridge University Press.

Iacopi, I., & Tedone, G. (2009). L‘opera di Augusto e l‘organizzazione del suo mausoleo. Bullettino della Commissione Archeologica Comunale di Roma, 110, 197-230.

Lanciani, R. (1897). The Ruins and Excavations of Ancient Rome. Houghton, Mifflin and Company.

Mausoleo di Augusto. (2021). Visitor Information. https://www.mausoleodiaugusto.it/en/visit/

Ministero della Cultura. (2021). Mausoleo di Augusto: Completato il restauro. https://www.beniculturali.it/mausoleodiaugusto

Rehak, P. (2006). Imperium and Cosmos: Augustus and the Northern Campus Martius. University of Wisconsin Press.

Severy, B. (2003). Augustus and the Family at the Birth of the Roman Empire. Routledge.

Vidotto, V. (2006). Roma contemporanea. Laterza.

von Hesberg, H. (2006). Das Mausoleum des Augustus: der Bau und seine Inschriften. Verlag der Bayerischen Akademie der Wissenschaften.

Zanker, P. (1990). The Power of Images in the Age of Augustus. University of Michigan Press.